Bust your conk, crumb crushers, few and two, and gimme some skin.
These words might not make any meaning to you if you have not read Hipster's Dictionary, a glossary of what has been described as Harlem jive and believed to be the first dictionary written by an African American.The 1938 dictionary, which became the official reference book of jive slang in the New York Public Library, was introduced by Cab Calloway, an African-American charismatic bandleader and jazz legend noted for his song “Minnie the Moocher” (1931). His slender pamphlet dictionary would help promote equality in a society where being black was not an advantage. The hugely successful book would appeal to both black and white audiences as it introduced the African-American jive talk and Harlem-style jazz to people who even lived far away from New York, according to History. Essentially, the dictionary helped introduce African American slang to white America while documenting a moment in Harlem’s history. The birth of the African-American popular culture as a global phenomenon dates back to the 20th century in Harlem, New York. Harlem, popularly known as the Black Cultural Mecca, is famous for its great jazz clubs, African-American arts, culture, and heritage. Since 1902, the town has been a settlement of African Americans. Many African-Americans in the South had then seen the need for labour in the North as an opportunity to migrate and find work where life seemed more advanced, liberal and promising. This would result in the Great Migration of the black community from rural to urban cities. This affected Chicago, Detroit and New York’s Harlem, which saw more black immigrants than any other city. Eventually, Harlem became an influential centre of African American literary works, including its culture and music. This gave rise to jazz and of course, the use of slang language like jive which became popular among jazz musicians like Calloway. Jive, a language rooted in slavery, was a way for African Americans to communicate privately even though the colourful language eventually “became about understanding and belonging.”Calloway, before introducing his dictionary, would speak jive with his band and even included the language into his songs. Born in Rochester, New York in 1907, the singer and bandleader had grown to become a jazz legend who was popular at Harlem’s famous Cotton Club. After the huge success of his 1931 “Minnie the Moocher” song, Calloway became one of the most popular entertainers of the 1930s and 40s and even appeared on stage and films. But in the late 1930s when his music was gaining wide acclaim, he realized that some white musicians were venturing into jazz music, relegating black musicians to the background. To stay in the game, Calloway turned to jive. With his manager, Calloway compiled the short pamphlet that translated jive talk for both black and white fans. The dictionary became so popular that seven volumes were published, and Calloway even appeared as a kind of hepster professor in some of his performances, writes History.com. In Sensations of 1945, the book was hymned. Today, thanks to Calloway, jive talk still remains relevant as it has made its way into the American vernacular and is still used to this day.“I don’t want to lend the impression here that the many words contained in this edition are the figments of my imagination. They were gathered from every conceivable source,” Calloway writes in the foreword of the dictionary. Here’s a complete list of Hipster's Dictionary:
These words might not make any meaning to you if you have not read Hipster's Dictionary, a glossary of what has been described as Harlem jive and believed to be the first dictionary written by an African American.The 1938 dictionary, which became the official reference book of jive slang in the New York Public Library, was introduced by Cab Calloway, an African-American charismatic bandleader and jazz legend noted for his song “Minnie the Moocher” (1931). His slender pamphlet dictionary would help promote equality in a society where being black was not an advantage. The hugely successful book would appeal to both black and white audiences as it introduced the African-American jive talk and Harlem-style jazz to people who even lived far away from New York, according to History. Essentially, the dictionary helped introduce African American slang to white America while documenting a moment in Harlem’s history. The birth of the African-American popular culture as a global phenomenon dates back to the 20th century in Harlem, New York. Harlem, popularly known as the Black Cultural Mecca, is famous for its great jazz clubs, African-American arts, culture, and heritage. Since 1902, the town has been a settlement of African Americans. Many African-Americans in the South had then seen the need for labour in the North as an opportunity to migrate and find work where life seemed more advanced, liberal and promising. This would result in the Great Migration of the black community from rural to urban cities. This affected Chicago, Detroit and New York’s Harlem, which saw more black immigrants than any other city. Eventually, Harlem became an influential centre of African American literary works, including its culture and music. This gave rise to jazz and of course, the use of slang language like jive which became popular among jazz musicians like Calloway. Jive, a language rooted in slavery, was a way for African Americans to communicate privately even though the colourful language eventually “became about understanding and belonging.”Calloway, before introducing his dictionary, would speak jive with his band and even included the language into his songs. Born in Rochester, New York in 1907, the singer and bandleader had grown to become a jazz legend who was popular at Harlem’s famous Cotton Club. After the huge success of his 1931 “Minnie the Moocher” song, Calloway became one of the most popular entertainers of the 1930s and 40s and even appeared on stage and films. But in the late 1930s when his music was gaining wide acclaim, he realized that some white musicians were venturing into jazz music, relegating black musicians to the background. To stay in the game, Calloway turned to jive. With his manager, Calloway compiled the short pamphlet that translated jive talk for both black and white fans. The dictionary became so popular that seven volumes were published, and Calloway even appeared as a kind of hepster professor in some of his performances, writes History.com. In Sensations of 1945, the book was hymned. Today, thanks to Calloway, jive talk still remains relevant as it has made its way into the American vernacular and is still used to this day.“I don’t want to lend the impression here that the many words contained in this edition are the figments of my imagination. They were gathered from every conceivable source,” Calloway writes in the foreword of the dictionary. Here’s a complete list of Hipster's Dictionary:
A
A hummer (n.): exceptionally good. Ex., “Man, that boy is a hummer.”
Ain’t coming on that tab (v.): won’t accept the proposition. Usually abbr. to “I ain’t coming.”
Alligator (n.): jitterbug.
Apple (n.): the big town, the main stem, Harlem.
Armstrongs (n.): musical notes in the upper register, high trumpet notes.
B
Barbecue (n.): the girlfriend, a beauty.
Barrelhouse (adj.): free and easy.
Battle (n.): a very homely girl, a crone.
Beat (adj.): (1) tired, exhausted. Ex., “You look beat” or “I feel beat.” (2) lacking anything. Ex, “I am beat for my cash”, “I am beat to my socks” (lacking everything).
Beat it out (v.): play it hot, emphasize the rhythm.
Beat up (adj.): sad, uncomplimentary, tired.
Beat up the chops (or the gums) (v.): to talk, converse, be loquacious.
Beef (v.): to say, to state. Ex., “He beefed to me that, etc.”
Bible (n.): the gospel truth. Ex., “It’s the bible!”
Black (n.): night.
Black and tan (n.): dark and light coloured folks. Not coloured and white folks as erroneously assumed.
Blew their wigs (adj.): excited with enthusiasm, gone crazy.
Blip (n.): something very good. Ex., “That’s a blip”; “She’s a blip.”
Blow the top (v.): to be overcome with emotion (delight). Ex., “You’ll blow your top when you hear this one.”
Boogie-woogie (n.): harmony with accented bass.
Boot (v.): to give. Ex., “Boot me that glove.”
Break it up (v.): to win applause, to stop the show.
Bree (n.): girl.
Bright (n.): day.
Brightnin’ (n.): daybreak.
Bring down ((1) n. (2) v.): (1) something depressing. Ex., “That’s a bring down.” (2) Ex., “That brings me down.”
Buddy ghee (n.): fellow.
Bust your conk (v.): apply yourself diligently, break your neck.
C
Canary (n.): girl vocalist.
Canary (n.): girl vocalist.
Capped (v.): outdone, surpassed.
Cat (n.): musician in swing band.
Chick (n.): girl.
Chime (n.): hour. Ex., “I got in at six chimes.”
Clambake (n.): ad lib session, every man for himself, a jam session not in the groove.
Chirp (n.): female singer.
Cogs (n.): sunglasses.
Collar (v.): to get, to obtain, to comprehend. Ex., “I gotta collar me some food”; “Do you collar this jive?”
Come again (v.): try it over, do better than you are doing, I don’t understand you.
Comes on like gangbusters (or like test pilot) (v.): plays, sings, or dances in a terrific manner, par excellence in any department. Sometimes abbr. to “That singer really comes on!”
Cop (v.): to get, to obtain (see collar; knock).
Corny (adj.): old-fashioned, stale.
Creeps out like the shadow (v.): “comes on,” but in a smooth, suave, sophisticated manner.
Crumb crushers (n.): teeth.
Cubby (n.): room, flat, home.
Cups (n.): sleep. Ex., “I gotta catch some cups.”
Cut out (v.): to leave, to depart. Ex., “It’s time to cut out”; “I cut out from the joint in early bright.”
Cut-rate (n.): a low, cheap person. Ex., “Don’t play me cut-rate, Jack!”
D
Dicty (adj.): high-class, nifty, smart.
Dig (v.): (1) meet. Ex., “I’ll plant you now and dig you later.” (2) look, see. Ex., “Dig the chick on your left duke.” (3) comprehend, understand. Ex., “Do you dig this jive?”
Dim (n.): evening.
Dime note (n.): ten-dollar bill.
Doghouse (n.): bass fiddle.
Domi (n.): ordinary place to live in. Ex., “I live in a righteous domi.”
Doss (n.): sleep. Ex., “I’m a little beat for my doss.”
Down with it (adj.): through with it.
Drape (n.): suit of clothes, dress, costume.
Dreamers (n.): bed covers, blankets.
Dry-goods (n.): same as drape.
Duke (n.): hand, mitt.
Dutchess (n.): girl.
E
Early black (n.): evening
Early bright (n.): morning.
Evil (adj.): in ill humor, in a nasty temper.
F
Fall out (v.): to be overcome with emotion. Ex., “The cats fell out when he took that solo.”
Fews and two (n.): money or cash in small quantity.
Final (v.): to leave, to go home. Ex., “I finaled to my pad” (went to bed); “We copped a final” (went home).
Fine dinner (n.): a good-looking girl.
Focus (v.): to look, to see.
Foxy (v.): shrewd.
Frame (n.): the body.
Fraughty issue (n.): a very sad message, a deplorable state of affairs.
Freeby (n.): no charge, gratis. Ex., “The meal was a freeby.”
Frisking the whiskers (v.): what the cats do when they are warming up for a swing session.
Frolic pad (n.): a place of entertainment, theatre, nightclub.
Fromby (adj.): a frompy queen is a battle or Faust.
Front (n.): a suit of clothes.
Fruiting (v.): fickle, fooling around with no particular object.
Fry (v.): to go to get hair straightened.
G
Gabriels (n.): trumpet players.
Gammin’ (adj.): showing off, flirtatious.
Gasser (n, adj.): sensational. Ex., “When it comes to dancing, she’s a gasser.”
Gate (n.): a male person (a salutation), abbr. for “gate-mouth.”
Get in there (exclamation.): go to work, get busy, make it hot, give all you’ve got.
Gimme some skin (v.): shake hands.
Glims (n.): the eyes.
Got your boots on: you know what it is all about, you are a hep cat, you are wise.
Got your glasses on: you are ritzy or snooty, you fail to recognize your friends, you are up-stage.
Gravy (n.): profits.
Grease (v.): to eat.
Groovy (adj.): fine. Ex., “I feel groovy.”
Ground grippers (n.): new shoes.
Growl (n.): vibrant notes from a trumpet.
Gut-bucket (adj.): low-down music.
Guzzlin’ foam (v.): drinking beer.
H
Hard (adj.): fine, good. Ex., “That’s a hard tie you’re wearing.”
Hard spiel (n.): interesting line of talk.
Have a ball (v.): to enjoy yourself, stage a celebration. Ex., “I had myself a ball last night.”
Hep cat (n.): a guy who knows all the answers, understands jive.
Hide-beater (n.): a drummer (see skin-beater).
Hincty (adj.): conceited, snooty.
Hip (adj.): wise, sophisticated, anyone with boots on. Ex., “She’s a hip chick.”
Home-cooking (n.): something very dinner (see fine dinner).
Hot (adj.): musically torrid; before swing, tunes were hot or bands were hot.
Hype (n, v.): build-up for a loan, wooing a girl, persuasive talk.
I
Icky (n.): one who is not hip, a stupid person, can’t collar the jive.
Igg (v.): to ignore someone. Ex., “Don’t igg me!)
In the groove (adj.): perfect, no deviation, down the alley.
J
Jack (n.): name for all male friends (see gate; pops).
Jam ((1)n, (2)v.): (1) improvised swing music. Ex., “That’s swell jam.” (2) to play such music. Ex., “That cat surely can jam.”
Jeff (n.): a pest, a bore, an icky.
Jelly (n.): anything free, on the house.
Jitterbug (n.): a swing fan.
Jive (n.): Harlemese speech.
Joint is jumping: the place is lively, the club is leaping with fun.
Jumped in port (v.): arrived in town.
K
Kick (n.): a pocket. Ex., “I’ve got five bucks in my kick.”
Kill me (v.): show me a good time, send me.
Killer-diller (n.): a great thrill.
Knock (v.): give. Ex., “Knock me a kiss.”
Kopasetic (adj.): absolutely okay, the tops.
L
Lamp (v.): to see, to look at.
Land o’darkness (n.): Harlem.
Lane (n.): a male, usually a nonprofessional.
Latch on (v.): grab, take hold, get wise to.
Lay some iron (v.): to tap dance. Ex., “Jack, you really laid some iron that last show!”
Lay your racket (v.): to jive, to sell an idea, to promote a proposition.
Lead sheet (n.): a topcoat.
Left raise (n.): left side. Ex., “Dig the chick on your left raise.”
Licking the chops (v.): see frisking the whiskers.
Licks (n.): hot musical phrases.
Lily whites (n.): bed sheets.
Line (n.): cost, price, money. Ex., “What is the line on this drape” (how much does this suit cost)? “Have you got the line in the mouse” (do you have the cash in your pocket)? Also, in replying, all figures are doubled. Ex., “This drape is line forty” (this suit costs twenty dollars).
Lock up: to acquire something exclusively. Ex., “He’s got that chick locked up”; “I’m gonna lock up that deal.”
M
Main kick (n.): the stage.
Main on the hitch (n.): husband.
Main queen (n.): favorite girlfriend, sweetheart.
Man in gray (n.): the postman.
Mash me a fin (command.): Give me $5.
Mellow (adj.): all right, fine. Ex., “That’s mellow, Jack.”
Melted out (adj.): broke.
Mess (n.): something good. Ex., “That last drink was a mess.”
Meter (n.): quarter, twenty-five cents.
Mezz (n.): anything supreme, genuine. Ex., “this is really the mezz.”
Mitt pounding (n.): applause.
Moo juice (n.): milk.
Mouse (n.): pocket. Ex., “I’ve got a meter in the mouse.”
Muggin’ (v.): making ’em laugh, putting on the jive. “Muggin’ lightly,” light staccato swing; “muggin’ heavy,” heavy staccato swing.
Murder (n.): something excellent or terrific. Ex., “That’s solid murder, gate!”
N
Neigho, pops: Nothing doing, pal.
Nicklette (n.): automatic phonograph, music box.
Nickel note (n.): five-dollar bill.
Nix out (v.): to eliminate, get rid of. Ex., “I nixed that chick out last week”; “I nixed my garments” (undressed).
Nod (n.): sleep. Ex., “I think I’l cop a nod.”
O
Ofay (n.): white person.
Off the cob (adj.): corny, out of date.
Off-time jive (n.): a sorry excuse, saying the wrong thing.
Orchestration (n.): an overcoat.
Out of the world (adj.): perfect rendition. Ex., “That sax chorus was out of the world.”
Ow!: an exclamation with varied meaning. When a beautiful chick passes by, it’s “Ow!”; and when someone pulls an awful pun, it’s also “Ow!”
P
Pad (n.): bed.
Pecking (n.): a dance introduced at the Cotton Club in 1937.
Peola (n.): a light person, almost white.
Pigeon (n.): a young girl.
Pops (n.): salutation for all males (see gate; Jack).
Pounders (n.): policemen.
Q
Queen (n.): a beautiful girl.
R
Rank (v.): to lower.
Ready (adj.): 100 per cent in every way. Ex., “That fried chicken was ready.”
Ride (v.): to swing, to keep perfect tempo in playing or singing.
Riff (n.): hot lick, musical phrase.
Righteous (adj.): splendid, okay. Ex., “That was a righteous queen I dug you with last black.”
Rock me (v.): send me, kill me, move me with rhythm.
Ruff (n.): quarter, twenty-five cents.
Rug cutter (n.): a very good dancer, an active jitterbug.
S
Sad (adj.): very bad. Ex., “That was the saddest meal I ever collared.”
Sadder than a map (adj.): terrible. Ex., “That man is sadder than a map.”
Salty (adj.): angry, ill-tempered.
Sam got you: you’ve been drafted into the army.
Send (v.): to arouse the emotions. (joyful). Ex., “That sends me!”
Set of seven brights (n.): one week.
Sharp (adj.): neat, smart, tricky. Ex., “That hat is sharp as a tack.”
Signify (v.): to declare yourself, to brag, to boast.
Skins (n.): drums.
Skin-beater (n.): drummer (see hide-beater).
Sky piece (n.): hat.
Slave (v.): to work, whether arduous labor or not.
Slide your jib (v.): to talk freely.
Snatcher (n.): detective.
So help me: it’s the truth, that’s a fact.
Solid (adj.): great, swell, okay.
Sounded off (v.): began a program or conversation.
Spoutin’ (v.): talking too much.
Square (n.): an unhep person (see icky; Jeff).
Stache (v.): to file, to hide away, to secrete.
Stand one up (v.): to play one cheap, to assume one is cut-rate.
To be stashed (v.): to stand or remain.
Susie-Q (n.): a dance introduced at the Cotton Club in 1936.
T
Take it slow (v.): be careful.
Take off (v.): play a solo.
The man (n.): the law.
Threads (n.): suit, dress or costume (see drape; dry-goods).
Tick (n.): minute, moment. Ex., “I’ll dig you in a few ticks.” Also, ticks are doubled in accounting time, just as money is doubled in giving “line.” Ex., “I finaled to the pad this early bright at tick twenty” (I got to bed this morning at ten o’clock).
Timber (n.): toothpick.
To dribble (v.): to stutter. Ex., “He talked in dribbles.”
Togged to the bricks: dressed to kill, from head to toe.
Too much (adj.): term of highest praise. Ex., “You are too much!”
Trickeration (n.): struttin’ your stuff, muggin’ lightly and politely.
Trilly (v.): to leave, to depart. Ex., “Well, I guess I’ll trilly.”
Truck (v.): to go somewhere. Ex., “I think I’ll truck on down to the ginmill (bar).”
Trucking (n.): a dance introduced at the Cotton Club in 1933.
Twister to the slammer (n.): the key to the door.
Two cents (n.): two dollars.
U
Unhep (adj.): not wise to the jive, said of an icky, a Jeff, a square.
V
Vine (n.): a suit of clothes.
V-8 (n.): a chick who spurns company, is independent, is not amenable.
W
What’s your story?: What do you want? What have you got to say for yourself? How are tricks? What excuse can you offer? Ex., “I don’t know what his story is.”
Whipped up (adj.): worn out, exhausted, beat for your everything.
Wren (n.): a chick, a queen.
Wrong riff: the wrong thing said or done. Ex., “You’re coming up on the wrong riff.”
Y
Yarddog (n.): uncouth, badly attired, unattractive male or female.
Yeah, man: an exclamation of assent.
Z
Zoot (adj.): exaggerated
Zoot suit (n.): the ultimate in clothes. The only totally and truly American civilian suit.